If you only check one highlight this week: my lead story about vibecoding.

Enjoy the weekend and all the new Super Bowl commercials.

-François

The day I started hating my vibecoded site…

I've been vibe coding for a while. Given the clients I serve, I have to.

It's also really fun.

I first built a CMO Assessment App for my clients (12 questions + a rubric to assess you/your CMO) and then the first version of my personal website.

I liked it initially.

I thought it was elegant. I liked the gradients, fonts, dark mode, and subtle hover effects.

Former home page

Until I realized it obviously looked just like YET. ANOTHER. VIBE-CODED. SITE. 😠

I couldn't stand it anymore. Especially as a CMO who is always asking “how will you differentiate?”.

So, I went back to my friend Claude Code, determined to up my game:

  1. I requested it find award-winning websites from various industries as inspiration; it gave me 12.

  2. I selected two that I liked (stripe. press.com and inkwell.tech) that were not heavily dependent on beautiful photography (many award-winning sites were automotive, luxury, and photography)

  3. I then asked: "Can you build that? Really? And if so, how? Give me a full assessment and plan".

  4. It built a roadmap; we iterated for a while (actually much longer than I hoped, since getting that scrolling perspective right took time).

Here's what it looks like so far: still a work in progress, but the home page is close to done, as is the “Why?” page (I still need to work on copy)

I also built my admin console. It helps me import my previous articles and content from LinkedIn and Decibel using a scraper and the Claude API. There, I can edit my content, pick the color and texture for the new “books”, reorganize them, etc.

My “book” management panel

So yes, we can push these AIs and build something different. It's possible. Also quite scary for web agencies and designers to see that.

It takes a little time, some judgement, some inspiration, some taste, and iteration. But that's always true if you want to build something that's worth doing.

The $100/month I pay for my Claude Max plan is insane value because I do much more than just create a website with it.

Claude couldn't do that a couple of months ago. Why is this possible now?

  • the models have improved - I used Opus 4.5 throughout

  • it's got local access to my computer and therefore my files

  • it also has access to my browser to view the inspiration sites, inspect their code, understand the animation, debug what it built with access to the console and the error logs

I kept watching Claude work, understanding what it got wrong, backtracking, fixing, and iterating. Incredible.

Once done, I even asked it to create a page that recaps my entire style guide and a Markdown file that documents it all, which I've attached to the Claude Projects where I want to create assets in my brand.

The implications?

  • You use a web agency? Ask them to show you in detail how they use AI to accelerate design and delivery and reduce costs. And also, how they keep bringing their unique human element to their process

  • Want to do it yourself? Sylvain did that for Augment Code, for instance (but he can code and uses coding agents really well). You will need to implement a CMS (mine doesn’t) to scale and allow others to contribute. Think about whether you really want to spend your time building AND maintaining that

Wondering how my site is built and what it's built on? I asked Claude to summarize (I did not know about GSAP + Scroll Trigger, Lenis, or Alpine.js before embarking on that project - Claude recommended that. I am surprised it did not pick a framework like NextJS or React):

In short: A lightweight, fast static site with smooth animations, hosted on Vercel, with a few serverless APIs for dynamic features like the newsletter.

Frameworks & Libraries

  • Tailwind CSS (CDN) — Utility-first CSS for rapid styling without writing custom classes

  • GSAP + ScrollTrigger — Professional animation library for scroll-driven effects (the book circle, statement cards)

  • Lenis — Smooth scroll library that makes scrolling feel buttery

  • Alpine.js — Lightweight reactivity for the admin panel (no heavy framework needed)

Backend / APIs

  • Vercel Serverless Functions — Small backend scripts that run on-demand (newsletter signup, book data)

  • Supabase — Database for storing books and content

  • Beehiiv API — Newsletter platform integration (fetches my recent posts)

Hosting & Deployment

  • Vercel — Hosts the site, auto-deploys when I push to GitHub

  • GitHub — Version control (stores all my code, tracks changes)

Architecture

  • Static HTML — No build step, pages are plain HTML files served directly

  • No framework (no React, Next.js, etc.) — Keeps it simple and fast

Setting up Claude Code was super easy. Refer to a recent edition for some guidance.

Your turn! I hope you have fun and build something that stands out.

My selection of tips, news and workflows

🤖🤖🤖🎵 This is agent orchestration

Researchers from Peking University and Google Cloud AI Research announced PaperBanana, a new agentic AI framework designed to automate the creation of publication-quality academic illustrations.

The description of how it works with a 5-agent pipeline is very representative of how agents work together.

You're going to hear about such orchestration more and more: each agent is specialized and represents a given persona. A supervisor agent - the planner below - orchestrates things.

“How It Works: The 5-Agent Pipeline

PaperBanana doesn't just "guess" an image; it uses a multi-stage collaborative team of AI agents (powered by models like Gemini-3-Pro) to ensure scientific accuracy and aesthetic rigor:

  • Retriever: Scans a reference dataset (like the 292-case PaperBananaBench) to find diagrams with similar logic or style to your input.

  • Planner: Acts as the "architect," translating your raw text or methodology description into a structured layout and content plan.

  • Stylist: Synthesizes aesthetic guidelines from the references to ensure the diagram matches professional standards (colors, typography, and spacing).

  • Visualizer: Renders the actual image or generates the code (like Matplotlib) to produce the visual.

  • Critic: Performs iterative self-critique, comparing the draft against the source text to fix errors and refine details over multiple rounds.”

🐰🏈 Claude, too, is going to the Super Bowl

Very smart and well-executed series of ads by Anthropic for Claude.

Claude will not eclipse Bad Bunny, given the political climate. And that's a good thing.

Ads are smart, very creative, well executed (“Absolutely!”) and will garner attention and make Claude enter the collective mindshare by picking on ChatGPT (that has insane brand recognition and people start liking to dislike).

But they are addressing a pain point that doesn't exist today, YET. Have any ads truly polluted your interactions with AI so far?

I'm nitpicking, but since Claude is starting to dominate the world of work, I would probably have focused more on that: Claude is great for work (as in the version below) rather than showing personal use cases.

Leave that to OpenAI.

Win “work AI”.

💡I agree and disagree

Nicole is going to strike a chord with her post (below, too), because so many will see it as a great stress and FOMO reliever. Indeed, keeping up with AI advancements puts a lot of pressure on all of us. It's exhausting if you're trying to try every new tool that seems relevant for you (my backlog just got longer in the last four days only), when so many get overhyped by influencers.

I do agree that you do not need to try all the tools (e.g. OpenClaw), especially if they are designed for folks more technical than you.

I, however, disagree that you don't have to learn to vibecode (we're really talking about typing English into a chat box…), to push yourself to use AI better, to understand what agent orchestration is (see above). You should have created custom GPTs, or gems, or projects. Or saved or created some skills if you use Claude.

This week alone, I have worked with two co-founders who are advanced with AI, and I've never moved this fast with clients. I started feeling bad for the teams that don't know how to use these tools of drastic acceleration. Or worse, they still don't have access to them because of IT, security, or budget.

When I hear some marketers still hope that AI is all hype and will not change much re. how we work, I feel bad for them after having observed some of my colleagues, clients, and inspirations, and what they are able to do, leaving others in the dust.

This genie is NOT getting back in its bottle.

Final Words

AI optimists argue that there won't be net job losses, regardless of collar color, because new technologies create new labor needs.

AI critics caution that the past isn't always predicate, given that AI represents a more extreme change than we've ever before experienced. And it could extend well beyond chatbots.

Dan Primack, Axios.

Thanks for sharing these highlights with busy marketing execs around you.🙏

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François | LinkedIn

I'm a CMO, advisor, and "CMO Wingman". Yes, that's a thing :-). Ask my clients: in this AI era, CMOs need a strategic proactive advisor more than ever. I’m former CMO at Twilio, Augment Code, Apollo GraphQL, Decibel, Udacity and Head of Marketing for LinkedIn Talent Solutions.

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